Wayne Dyer on Michael Jackson (Interview from 2009): “He [Michael Jackson] personally was responsible for cutting the number of people starving to death on this planet in half in the 1980s & 1990s.” “This was a beautiful human being [Michael Jackson].. This was a great man.”
1993 ~ His voice, every snap of his fingers, clap of his hands, tap of his feet is absolutely perfection.. ♥ I miss you MJ :'(
Bruce Swedien talks about recording Michael Jackson, Seattle 1993 ~
His voice, every snap of his fingers, clap of his hands, tap of his feet is absolutely perfection.. ♥
I miss you MJ 😥
“Lets love one another. Lets forget hatred and turn to those that are suffering. Not just today, but every day.”- Michael Jackson ~♥~
Michael Jackson’s Art and Studio, Revealed for the First Time
The interior of Michael Jackson’s art studio, which he shared with friend and artist Brett-Livingstone Strong
See more photos in “Michael Jackson Art: An Exclusive Look at the Musician’s Drawings and Paintings.”
Until now, Michael Jackson’s art collection was shrouded in mystery. It was said to be stuck in a legal dispute over possession. Then, people speculated that buyers such as Cirque du Soleil’s Guy Laliberté were interested. It’s been valued at the staggering (and slightly unbelievable) sum of $900 million.
One crucial fact: Jackson’s art collection isn’t art by other people — it’s mainly drawings and paintings that he created himself. So what does that art look like?
Yesterday, LA Weekly was the first to visit the (until now) top-secret Santa Monica Airport hangar that Jackson used as his studio and art storehouse. The collection is currently owned by Brett-Livingstone Strong, the Australian monument builder and Jackson’s art mentor through the years, in conjunction with the Jackson estate.
Though the entire art collection has been mired in disputes and battles for rights, Strong claims that he is working with everybody — the family, the estate, as well as others — to exhibit and publish as much of Jackson’s work as possible.
According to Strong, he and Jackson formed an incorporated business partnership in 1989, known as the Jackson-Strong alliance. This gave each partner a fifty-percent stake in the other’s art. In 2008, Strong says, Jackson requested that his attorney sign the rights to Jackson’s portion of the art over to Strong. Now, Strong is beginning to reveal more and more of the art as he goes ahead with Jackson’s dream of organizing a museum exhibit.
Some of Jackson’s original drawings hanging on the wall. Prints of these were donated to the L.A. Children’s Hospital.
Strong gave us a tour of the hangar, beginning with the Michael Jackson monument that Strong and Jackson co-designed several years ago. It’s perhaps bombastic, but designed with good intentions and the rabid Jackson fan in mind. Strong explains, “He wanted his fans to be able to get married at a monument that would have all of his music [in an archive, and playing on speakers], to inspire some of his fans.”
The current design is still in the works, but it’s conceived as an interactive monument — fans who buy a print by Jackson will receive a card in the mail. They can scan this card at the monument, and then have a computer organize a personal greeting for them, or allow them to book it for weddings. Jackson initially thought it would be perfect for Las Vegas, but Strong says that Los Angeles might have the honor of hosting it — apparently, Mayor Antonio Villaraigosa recently paid a visit and made a few oblique promises.
As for Jackson’s art, the contents of the hangar barely scratched the surface of the collection, as Strong estimates Jackson’s total output at 150 to 160 pieces. A few large pieces hanging on the walls had been donated as reproductions to the L.A. Children’s Hospital last Monday, along with other sketches and poems.
In all of his art, certain motifs kept cropping up: chairs (usually quite baroque), gates, keys and the number 7. His portrait of Bubbles, his pet chimpanzee, shows a monkey-like face vanishing into a cushy, ornate lounge chair. “He loved chairs,” says Strong. “He thought chairs were the thrones of most men, women and children, where they made their decisions for their daily activity. He was inspired by chairs. Rather than just do a portrait of the monkey, he put it in the chair. And you see, there are a few sevens — because he’s the seventh child.”
Jackson, who was a technically talented artist — and completely self-taught — fixated on these motifs, elevating everyday objects into cult symbols. Strong added that Jackson’s sketchbooks are completely filled with studies of his favorite objects, in endless permutations.
MJ’s portrait of George Washington — he initially planned to do a series of all of the presidents, but never continued it.
But Jackson also created portraits: a small sketch of Paul McCartney, and a large drawing of George Washington, created as Strong was working with the White House to commemorate the bicentennial of the Constitution back in 1987. He also sketched self-portraits — one as a humorous four-panel drawing charting his growing-up process, and a darker one that depicts him as a child cowering in a corner, inscribed with a sentence reflecting on his fragility.
As an artist, Jackson preferred using wax pencils, though Strong adds, “He did do a lot of watercolors but he gave them away. He was a little intimidated by mixing colors.” Some surviving pencils are archived in the hangar; Strong moves over to a cabinet on the far wall of the hangar and pulls out a ziploc bag containing a blue wax pencil, a white feathered quill and a white glove that Jackson used for drawing.
Jackson turned to art as times got hard for him. “His interest in art, in drawing it, was just another level of his creativity that went on over a long period of time,” Strong says. “It was quite private to him. I think he retreated into it when he was being attacked by those accusations against him.” The sketches and drawings certainly reveal an extremely sensitive creator, though it’s clear that Jackson also had a sense of humor.
Jackson’s art was kept under wraps for such a long time simply because of the scandal, which erupted right around the time that he was looking for a way to publicize the works. “A lot of his art was going to be exhibited 18 years ago. Here’s one of his tour books, where he talks about exhibiting art. He didn’t want it to be a secret,” Strong says, pointing at a leaflet from the 1992 Dangerous World Tour.
Prior to that period, Jackson and Strong had met and become fast friends. This marked the beginning of Strong’s mentorship, in which he encouraged Jackson to create bigger paintings and drawings, and exhibit his work. The idea behind their Jackson-Strong Alliance was that Strong would help Jackson manage and exhibit his art. Notably, the alliance birthed Strong’s infamous $2 million portrait of Michael Jackson entitled The Book, the only known portrait Jackson ever sat for.
In 1993, everything blew up. At the time, Jackson and Strong were both on the board of Big Brothers of Los Angeles (now known as Big Brothers Big Sisters), a chapter of the national youth mentoring organization established in L.A. by Walt Disney and Meredith Willson. They had planned out a fundraising campaign involving Jackson’s art. Strong explains, “We thought that if we would market [his art] in limited edition prints to his fans, he could support the charities that he wanted to, rather than have everybody think that he was so wealthy he could afford to finance everybody.” When the scandal erupted, Disney put a freeze on the project. The artwork stayed put, packed away from public eyes in storage crates.
As for the spectacular appraisal of $900 million for Jackson’s art collection, Strong says that it derives from the idea of reproducing prints as well. The figure was originally quoted by Eric Finzi, of Belgo Fine Art Appraisers. “The reason somebody came out with that was because there was an appraisal on if all of his originals were reproduced — he wanted to do limited editions of 777 — and he would sell them to his fan base in order to build his monument, support kids and do other things. You multiply that by 150 originals, and if they sold for a few thousand dollars each, then you would end up with 900 million dollars.” Fair enough, though now Strong says he has gone to an appraiser in Chicago to get that value double-checked, and they arrived at an even higher estimate.
The story of Jackson’s art ends up being quite a simple one, though confused by so much hearsay and rumor. Strong and the Jackson estate will slowly reveal more works as time passes, and an exhibit is tentatively planned for L.A.’s City Hall. Negotiations with museums for a posthumous Jackson retrospective are still underway, but Strong has high hopes. He’s even talking of building a Michael Jackson museum that would house all of Jackson’s artwork.
Jackson’s sketch of the White House doors, to which he added the following quote from John Adams: “I pray heaven to bestow the best of blessings on this house and all that shall inhabit it. May none but honest and wise men [MJ’s addition:] or women rule under this roof.”
We’ll leave you with Strong’s own description of Jackson at work, during the time where they shared a studio in a house in Pacific Palisades:
He was in a very light and happy mood most of the time. He would have the oldies on, and sometimes he’d hear some of his Jackson Five songs. He’d kind of move along to that, but most of the time he would change it and listen to a variety of songs. He liked classical music. His inspiration to create was that he loved life, and wanted to express his love of life in some of these simple compositions.
I came to the studio one day, and we had a Malamute. I came into the house, and I heard this dog barking and thought, Wow, I wonder what that is. I go into the kitchen, and I couldn’t help but laugh when I see Michael up in the pots and pans in the middle of the center island. He’s holding a pen and paper and the dog is running around the island and barking at him, and he says, “He wants to play! He wants to play!” He’s laughing, and I’m laughing about it as I’m thinking to myself, “I’m wondering how long he’s been up there.”
Michael Jackson’s dedication to art: so strong that he’ll end up perched on a kitchen island.
Guinness World Records confirms Michael Jackson’s ‘Michael’ album artwork as the world’s largest poster
The 29,070 ft² poster smashes the previous record by more than 110 ft²
London, UK (9 December 2010) – Guinness World Records, the global authority on record breaking, today confirms that a poster erected to mark the release of Michael Jackson’s ‘Michael’ album (released December 13, 2010) has set a new record as the world’s largest poster.
Guinness World Records confirmed that the poster of Michael Jackson’s ‘Michael’ measures 171ft by 170ft with a total surface area of 29,070 ft², smashing the previous record – held by the 2010 Winter Olympics in Vancouver – by more than 110 ft².
To put it into perspective, the ‘Michael’ poster would take over three quarters of the pitch at Wembley stadium, is longer than the equivalent of six Routemaster buses end-to-end and if upright would be higher than Nelson’s column.
The poster, made of PVC and weighing one ton, took engineers three hours to install – and is less than 3,000 meters from one of Heathrow’s main runways, literally viewable by all planes arriving/ departing.
“I’m deeply touched and honored.. The auditorium is dedicated in my honor.. Children are our future.”- Michael Jackson, October 11, 1989
For seven years, the gleaming silver letters that once proclaimed the Michael Jackson Auditorium at Gardner Street Elementary School in Hollywood were hidden behind white plywood boards.
The boards had been placed there to cover his name shortly after MJ was falsely accused on suspicion of child molestation in 2003. Since his death last year, fans had rallied for the restoration of the sign, which they saw as a symbol of Jackson’s legacy.
Now, Michael Jackson’s name gleams again!
Los Angeles Unified School District Supt. Ramon C. Cortines ordered the boards stripped away “in recognition of Michael Jackson’s musical legacy and contribution to modern culture.”
A school district spokesman said the decision was made in large part because Jackson had been acquitted of criminal charges in the molestation case and proven innocent.
Michael Jackson was briefly enrolled as a student at Gardner Street Elementary. In 1969, he and his family moved to Los Angeles from Gary, Indiana, so that Jackson and his brothers could make a record with Motown.
Michael Jackson was an 11-year-old sixth-grader at the school when the Jackson 5 released their debut album, a smash hit that foreshadowed Jackson’s record-breaking solo career.
The Gardner auditorium was dedicated to Michael Jackson on October 11, 1989. He was present for the ribbon-cutting ceremony, where the school’s choir sang “We Are the World,” a tune Jackson co-wrote.
An illustration of Jackson’s face was posted in the auditorium in 1989, and a picture depicting the singer surrounded by children was hung in the main office. Michael also autographed his classroom door during the ceremony.
Katherine Jackson made a statement through her grandson Taj Jackson on October 15, 2010:
“After a number of heartfelt conversations between me, my grandson Taj, family friend Jodi Gomes, and LAUSD, I am overwhelmed that the school will proudly bear my son’s name on its auditorium once again. This could not have been done without the tireless dedication of my son’s fans and specifically the wonderful members of the “Uncover Michael Jackson’s Name Campaign”
~ Michael at Gardner Elementary, October 11, 1989:
LOS ANGELES UNIFIED SCHOOL DISTRICT PRESS RELEASE:
MICHAEL JACKSON’S NAME ON DISPLAY AGAIN AT GARDNER SCHOOL AUDITORIUM
Elementary School’s Most Famous Alum Recognized for His Musical Legacy
October 15, 2010
Los Angeles — The silver, foot-high letters gleam once again, proclaiming The Michael Jackson Auditorium at Gardner Street Elementary School in Hollywood. It is the last public school attended by Jackson—then an 11-year-old sixth grader — who was the lead in a singing group with his brothers. Three months after school started, Motown released their debut album “Diana Ross Presents the Jackson 5.” And, the young entertainer was on his way to becoming an international star.
“It’s important for the District to value the artistic impact and humanitarian contribution that will be the lasting legacy of Michael Jackson,” said Los Angeles School Board member Steven Zimmer. I’m happy that we will be recognizing and appreciating Michael’s LAUSD moment.”
The sign was originally unveiled at the then newly-refurbished auditorium in 1989. However, when the King of Pop was charged with child molestation, the sign was covered with layered board. For the record, the entertainer was never convicted. After his death last year fans began a campaign to have his name revealed.
At the direction of Los Angeles Unified School District Superintendent Ramon C. Cortines, the tribute was uncovered today.
“In recognition of Michael Jackson’s musical legacy and contribution to modern culture I have directed our maintenance and operations department to remove the layered board covering the tribute to Mr. Jackson at Gardner Street Elementary School in Hollywood,” said LAUSD Superintendent Ramon Cortines.
Im sure you are smiling today Michael, as brightly as you smiled on that day your name was first placed on the auditorium. We smile with you.. With pride and honor. We Love You!!